British-Nigerian director Akinola Davies Jr. is making significant waves in Brazil with his BAFTA-winning film, 'My Father's Shadow.' Heralded by Projeto Paradiso's executive director Josephine Bourgois for its universal appeal, the film has deeply resonated with Brazilian audiences, particularly for its poignant exploration of Black masculinity. Davies Jr.'s journey through Brazil has further highlighted the profound and often overlooked cultural connections between the two nations, inspiring local filmmakers to document his experience and the film's impact.

A Transcontinental Artistic Dialogue: Akinola Davies Jr.'s Brazilian Journey

On April 20, 2026, British-Nigerian filmmaker Akinola Davies Jr. captivated audiences in Recife, Brazil, with a screening of his acclaimed film, 'My Father's Shadow,' presented courtesy of Projeto Paradiso. The event, held at the majestic Cinema São Luiz, underscored the film's powerful themes, which resonated deeply with local creatives. Director Stefano Volp expressed his astonishment at seeing his own skin tone depicted so authentically on screen, while filmmaker Fernanda Lomba lauded Davies Jr.'s poetic and honest portrayal of Black masculinity, praising his ability to weave memory, personal narrative, and Nigerian history into a compelling tapestry. Lomba highlighted the "gentle radicality" of Davies Jr.'s work as a valuable lesson for Brazilian cinema.

During a dialogue with renowned Brazilian screenwriter Jaqueline Souza, Davies Jr. shared his revelation about the "big bridge" connecting Brazil and Nigeria—a connection he noted many Nigerians may not fully appreciate. He emphasized shared spiritual, worldview, culinary, and political elements between the two cultures. His initial visit to Brazil included iconic Rio de Janeiro landmarks, but it was Salvador that left an indelible mark, described by the filmmaker as a "psychedelic experience" and a "fever dream" due to its vivid intensity.

As 'My Father's Shadow' prepared for its wider Brazilian release, Davies Jr. orchestrated a unique event for Salvador: a special screening accompanied by a live score performed by the film's musicians, Duval Timothy and CJ Mirra. This gesture, intended to create a truly special experience for the city that had so deeply moved him, was also extended to São Paulo, a city he lauded for hosting the film's Brazilian premiere and for the prestigious festival that champions independent cinema.

Coinciding with his visit, Brazilian documentarians Lucas Crystal and Henrique Alves embarked on a short film project to chronicle Davies Jr.'s time in Brazil and the resonance of 'My Father's Shadow' within the country. Having first encountered the filmmaker at the Mostra de São Paulo, Crystal and Alves saw a poetic parallel between Davies Jr.'s journey from Brazil's Northeast to the South and the internal dynamics of Brazilian identity. They believe their documentary will gain even greater significance ahead of Brazil's presidential elections, highlighting the political undertones of Davies Jr.'s film and addressing the scarcity of Black-led political narratives in Brazilian cinema.

Davies Jr. openly expressed his enthusiasm for future Brazilian co-productions, citing the generosity and intelligence of local producers and filmmakers. He envisions building a bridge between the two nations, drawing inspiration from the significant Brazilian community in Lagos, and hopes to find compelling stories for collaborative projects. This sentiment is reciprocated by Brazilian counterparts like Lomba, who sees Davies Jr.'s visit as part of a "Black zeitgeist" fostering creative and business connections between African and Brazilian filmmakers, portending a long-awaited era of collaboration. Davies Jr. emphasized that the overwhelming response to his film, particularly from the diaspora, validates the importance of authentic storytelling and advocates for greater collaboration, resource-sharing, and diverse representation in global cinema, extending beyond the Anglophone world to include Francophone, Caribbean, and Latin American communities.

Akinola Davies Jr.'s journey and the reception of 'My Father's Shadow' in Brazil highlight the profound interconnectedness of global cultures through the medium of film. It underscores the power of authentic storytelling to bridge geographical and cultural divides, fostering a deeper understanding and appreciation of shared experiences, particularly within the Black diaspora. This cultural exchange serves as a vibrant call for increased international collaboration, demonstrating how art can inspire, connect, and even subtly influence political discourse, advocating for greater inclusivity and representation in the cinematic landscape.